By Morris, Rene Goscinny
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Extra resources for A Lucky Luke Adventure 2: Ghost Town
So I got ahold of his arms and started pumping them up and down. Pretty soon he made a noise like a turkey gobbler makes that has the croup. I kept pumping. The noise got louder. " It was a day or two before Wrangler got his right mind back, what there was of it. But he got up and helped me untangle the rope from around the broncs. I got back on the roan and Wrangler got back on the brown. We Page 11 didn't really want to, but it was a three-quarter-mile walk back to the corral. I sat kinda stiff-like with my hind end screwed right down into solid leather.
I'd write a novel based on all those old-timers who were born in the 1890sthe ones who had raised me (kicked me up would be more accurate) and the younger ones who had worked and raised hell with me. The Rounders was on its way. No steady paychecks were ready for me to pick up weekly, but we did have some western lithographs I had printed earlier at Woody Crumbo's suggestion. These were lifesavers. I'd work on The Rounders a few days and then, when groceries became scarce and overdue bills plentiful, I'd take off for Taos plaza, or to Santa Fe, and peddle the prints.
I'd chop and gather wood for the next day and fill the hot water reservoir on the side of the huge wood-burning cookstove; fill all the water buckets for drinking, washing, and cooking; help clear the supper table; and thenthe real treat stand and dry dishes for her. We talked and talkedeven about books, paintings, and sissy stuff like that. Her contributions were everywhere. She made the rag rugs that covered the floors, built the lamp stands from tree cactus or wagon hubs, painted the pictures that hung on the walls, cooked, cleaned, doctored, washed, ironed, and in true essence held the whole damned outfit together, as thousands of others like her did, and still do.
A Lucky Luke Adventure 2: Ghost Town by Morris, Rene Goscinny